The Forbidden Game The Hunter Chapter 8 Free Essays

Mock scraped on rock and the moonlight was cut off above them. Audrey was lying in a ball beside Jenny near the bottom of the slope. Dee had been shoved in backward and was sprawled at the very bottom, legs higher than her head. We will write a custom essay sample on The Forbidden Game: The Hunter Chapter 8 or any similar topic only for you Order Now In those first moments Jenny didn’t stop to wonder how she could still see either of them. She said, â€Å"Are you all right?† to Dee and then wrapped her arms around Audrey comfortingly. Audrey was shaking. Making little moaning sounds. â€Å"I’m sorry, I’m so sorry____† Jenny said, hugging her. â€Å"It’s not your fault.† Dee was picking herself up, her fine-boned face contemptuous. â€Å"What’s her problem, anyway?† Jenny twisted her head to snap at Dee, but the words never got out. She could now see the reason they weren’t in pitch darkness. There was a semi – circle of lanterns around the bottom of the slope, and holding the lanterns were people. Dee had fallen silent. The lantern light reflected off faces that were disturbing to say the least. The elves were very pale, very beautiful†¦ but very strange. Their eyes were slanted in a way that reminded Jenny of the Visitors’. Their cheekbones were almost too high and sharp. And they stood oddly. They didn’t look as if they had any sympathy to appeal to. One of them said something. Jenny thought it was the same language that the young men outside had used, but the elf’s voice was more liquid-and more cold. It was obvious that he was ordering the girls up. Jenny didn’t want to obey. She was irrationally frightened by these pale beautiful people. Then she saw that maybe her fear wasn’t so irrational. They were like animals-or parts of them were. They were deformed. The elf who had spoken had one normal hand and one hand like a cow’s split hoof. It was black and shiny like patent leather. Jenny was afraid she was going to be sick. Another of them had a tail hanging out of his breeches-a long, pink naked tail like a rat’s. It swished. A third had two little horn-buds swelling on his forehead. A fourth had glossy dark hair growing on his neck. Every one of them had some deformity. And they were real. Not like the pasted-together monstrosities Jenny had seen in the Ripley’s Believe It or Not! exhibit. â€Å"Audrey, you’ve got to get up,† she whispered, swallowing the bile that had risen in her throat. â€Å"Audrey, if you don’t I think they’ll make you.† Then, with desperate inspiration: â€Å"Do you want them to see you lying here like this? I bet your mascara’s smeared halfway down your face.† The appeal to Audrey’s pride worked where nothing else might have. She slowly sat up, brushing at her cheeks. â€Å"It’s waterproof,† she said defiantly. Her fingers went automatically to adjust the combs in her French twist, and then she saw the elves. Her chestnut eyes widened until they showed white all around. She was staring at the cow’s-hoof hand. Jenny gripped her arm tightly. â€Å"Are they what you thought they were?† Audrey pressed her lips together and nodded. The elf spoke again, sharply, stepping forward. Audrey cringed back. Slowly and carefully Jenny urged her to stand. â€Å"Audrey, we’ve got to go with them,† she whispered. She was afraid that if Audrey balked, the elves were going to touch them. The thought of that-of being touched by that shiny hoof or by the flipper she saw one of the others had-was more than Jenny could bear. â€Å"Please, Audrey,† she whispered. It was easy for the elves to lead them. All they had to do was close in from one direction, and the girls would move in the other. They walked like that, surrounded by a circle of lanterns, down a passage that sloped on and on. Other passages branched away. Clearly the place was big-and they were going deeper and deeper into it. Walking calmed Jenny a little. The rocks around them took every imaginable shape-some like twisting antlers, others like windblown grass. There were lacy falls of angel hair, and huge columns covered with formations like exquisite flowers or the gills of mushrooms. The air smelled like rain-damp earth. It was surprisingly warm. Jenny tightened her supporting grip on Audrey’s arm. â€Å"Say something to them,† she suggested. â€Å"Ask them where we’re going.† In her own way Audrey was as brave as Dee. Her spiky eyelashes were starred together from crying, and she didn’t look at the elf beside her. But she spoke to him in level tones. â€Å"He says they’re taking us to the Erlking,† she said after a moment. Now Jenny could hear taut, shaking control in her voice. â€Å"That means-elf king, I think. I remember the story about the Erlking now. He’s a kind of evil spirit who haunts the Black Forest. He’s supposed to-take people. Especially young girls and children.† Dee pounced. â€Å"Why girls?† Audrey spoke between clenched teeth. â€Å"You guess. But all the dark elves are that way. Well, look at them. They’re all men. It’s a male race.† With a shock, Jenny realized that it was true. The delicacy of their features had fooled her. Every one of their captors was beautiful-and male. Dee’s grin was bloodthirsty. â€Å"Time to fight.† â€Å"No,† Jenny said tensely. Her heart was pounding, but she tried to quiet it. â€Å"There are too many of them; we wouldn’t have a chance. And anyway, we’re supposed to face our nightmares, remember? If the Erlking is what Audrey’s most afraid of, he must be what we have to face.† â€Å"It’s a stupid nightmare anyway,† Dee hissed, her supple shoulders hunching as if an ice cube were going down her back. â€Å"Believe me,† Audrey said bitingly, â€Å"I wish you weren’t in it with me.† The two girls ignored each other as they walked on through subterranean caverns of cathedral spaciousness. Glittering white gypsum crystals powdered everything, catching the lantern light. Coarse rock dust crunched underneath Jenny’s feet. â€Å"I don’t understand,† Audrey whispered. â€Å"This can’t have come out of my mind. I’ve never seen anything like it.† â€Å"I have,† Dee said, and even her voice was subdued. â€Å"Spelunking in New Mexico. But it wasn’t so-much.† At last they reached the biggest cavern of all. They passed giant red pillars like coral reefs which gave Jenny the disconcerting feeling of being underwater. They were heading straight for an enormous wall of flame-colored rock. It wasn’t flat. It went rippling up and up like an inverted Niagara Falls. At floor level there was an irregularly shaped gap in the wall-like an entrance. â€Å"The castle,† Audrey translated quietly. They passed through the gap in the red walls. Inside, the elves moved to separate the girls into two groups. It happened so fast that Jenny didn’t have time to react. All in an instant she was being herded away, and when she twisted her head frantically she saw Dee and Audrey being borne in the opposite direction. She saw Audrey’s copper head bobbing and heard Dee’s voice raised in fury. Then Dee’s voice faded, and Jenny was led through a gap into a large room. One of her captors said something ending with â€Å"Erlkodnig,† and they all walked out. When Jenny looked through the gap, she found they were standing sentry on either side. Now what? She looked around. The rock formations here were like huge sand castles, half melted by water, in white and gold. Jenny realized she was seeing by moonlight and looked up. The ceiling had openings in it like skylights or chimneys in the rock. She studied them for a while. Finally there was nothing to do but wait-and worry. What was happening to Tom right now? she wondered. Think about the riddle, she told herself firmly. It’ll pass the time, and it might be useful. I am just two and two. I am hot. I am cold. I’m the parent of numbers that cannot be told. I’m a gift beyond measure, a matter of course, And I’m yielded with pleasure-when taken by force. Suddenly she had it. Yes! Something that could be hot and passionate or cold and impersonal. Something that could be the â€Å"parent† of untold numbers of people-because there was no counting how many babies had gotten started with it. Something that was just two and two-two lips touching two lips. A kiss. Jenny smiled in triumph. She’d solved the riddle. She could get one of the others free. There was no question, of course, about who it would be. Much as she loved her friends, Tom would always come first. The only problem with having solved the riddle was that she now had nothing to think about-except whatever was going to happen to her. The elf who’d left had said â€Å"Erlkodnig.† The Erlking? Was that who she was waiting for? What kind of deformity would the Erlking have? she wondered. Hooves? Horns? If he’s king, he probably has something worse than all the others, she thought, and her heart chilled. Someone came through the gap in the stone, and Jenny braced herself. The next minute she realized how dense she’d been. He was wearing a white tunic and breeches and soft white boots. They showed off how lithe and smoothly muscled he was. In the moonlight his hair was silver as a mirror, and he was smiling. â€Å"Julian.† â€Å"Welcome,† he said, â€Å"to the Erlking’s castle.† The last time they had spoken, Jenny had been furious with him. It was hard to keep that in mind now. The white leather was so soft looking, and it clung to him, hip and thigh. And there was something about a guy who looked at you with eyes like a starving tiger’s. All at once Jenny felt disconcerted. Tom always looked so good in ordinary clothes-but he was very conservative, never would dress up even at Halloween. Julian, by contrast, obviously got off on outrageous. His broad leather belt showed how flat his stomach was, emphasized his narrow hips. It was modestly encrusted with sapphires. Jenny wished she had one like it. â€Å"The Erlking, huh? Enjoying the part?† â€Å"Immensely,† Julian assured her gravely. â€Å"At least you’re talking to me in this nightmare. Not like the UFO one, I mean.† â€Å"Jenny. I will happily talk to you all night.† â€Å"Thank you, but there’s a time limit, and I’d rather have my friends back.† â€Å"Say the word.† Jenny looked at him, startled, and then realized what word he meant. â€Å"No,† she said. â€Å"I’ll do it the hard way. We’re going to get through all the nightmares, you know. We’re going to win the Game.† â€Å"I admire your confidence.† â€Å"You can admire my success-starting now. I’ve solved your riddle, and you’re a male chauvinist pig. It is not given with pleasure when taken by force.† â€Å"What isn’t?† â€Å"A kiss.† She turned to face him fully. â€Å"That’s the answer, isn’t it? And you told me if I solved the riddle, you’d let one of my friends go.† â€Å"Wrong.† He waited for her reaction, eyes glinting in a wicked smile. â€Å"I told you if you gave me the answer, I’d let one of your friends go. But you haven’t given it to me yet.† His eyes lingered on her lips. â€Å"Would you like to now?† Fury sparked in Jenny. â€Å"You-!† She turned away so he wouldn’t have the satisfaction of seeing her angry. â€Å"I’ve upset you. You’re offended,† he said. He sounded genuinely penitent. Jenny couldn’t keep up with these mercurial changes of mood. â€Å"Here, I’ll give you something to make it up to you.† Reluctantly Jenny turned again. He was holding a rose-a white rose. Or maybe it was silver-in this light it was hard to tell. It was the most beautiful thing she’d ever seen. As she took it, Jenny realized it wasn’t real but was exquisitely wrought, perfect down to the tiniest detail. Half opened, the blossom shimmered in her hands. The petals were cool but soft. â€Å"Made from silver dug out by black elves in the deepest mines of the earth,† Julian said. Jenny shook her head at him. â€Å"That’s all folklore. Are you saying you’re really the Erlking? Do you want me to believe in Hansel and Gretel, too?† â€Å"I’ve been more things than you can imagine. And what I want you to believe is that children can go into dark places and disappear. After which people might tell stories to explain it-sometimes true stories, sometimes not.† Jenny felt disconcerted again. â€Å"Anyway-it’s a beautiful rose,† she said and stroked it against her cheek. Julian’s eyes gleamed. â€Å"Let’s go walking in the courtyard,† he said. â€Å"You can really see the moonlight there.† The courtyard had a number of natural chimneys, and moonlight flooded down. Jenny felt almost awestruck at the beauty of the landscape. The moonlight threw a sort of magic sheen over everything, and the cavern was weirdly beautiful with its dark shadows and bright patches of silver. Julian looked the same. Every shadow on his face was dead black, and there were silver points in his eyes. â€Å"Have you ever wondered why you can go into dangerous places without getting hurt?† he said abruptly. â€Å"Why the stray animals you pick up never bite you, why you don’t get mugged-or worse-when you wander around bad parts of town at night?† â€Å"I†¦Ã¢â‚¬  People were always yelling at Jenny for exactly the things he was talking about. She herself had never given it much thought, but now a wild suspicion was rising in her mind. â€Å"No,† she said. â€Å"No, I haven’t.† His eyes remained on hers. â€Å"I’ve been looking after you, Jenny. Watching over you. No one can touch you †¦ no one but me.† â€Å"That’s impossible.† It came out in a whisper. â€Å"You †¦ I’ve done those things all my life†¦.† Her sentences were coming untangled. â€Å"And I couldn’t have been watching you that long? But I have. I’ve always loved you, Jenny.† The power of his gaze was frightening. Jenny was confused by her own emotions. She knew she should feel only hatred, only anger toward him, but by now she had to admit that part of her was fascinated by him. He was a prince of darkness- -who had chosen her. She turned and walked away from him, trying to gather herself. â€Å"l nave never been in love before, Julian said. â€Å"You’re my first-and you’ll be my only.† There was music in his voice, and the words settled like filigreed snowflakes around her, wrapping her in otherworldliness. Jenny turned around and he touched her. His touch was as tenuous as gauze on her cheek. Jenny was so surprised she didn’t move. Then she looked down stupidly. He had taken her hand. But I thought you couldn’t†¦ His fingertips were as cool as jade against her skin. Tingles followed in their wake. She had an urge to press her cheek to his open hand. Don’t, she thought. Don’t, don’t, don’t†¦ â€Å"Don’t,† she whispered. He went on stroking her hand, thumb gently circling in her palm. A sensuous and dangerous feeling. Jenny felt herself start to come undone. His touch was so delicate-he’d disengaged her hand so gently from the rose. †¦ From the rose, Jenny thought. His gift. She’d held it in her hand. She’d stroked it against her right cheek-the cheek he was touching now. She stepped back. â€Å"You †¦ tricked me.† He still held her hand. â€Å"Does it matter?† â€Å"Yes, it matters,† Jenny said furiously, trying to pull out of his grasp. How could she have been so stupid? It was a game he was playing with her, to get permission to touch more and more of her. â€Å"I understand now-I’ll never touch you or anything you give me. That trick won’t work again.† His lips were smiling, but there was something hot and deadly serious in his eyes. â€Å"Maybe not-but another one will. Believe me, Jenny: I’m going to make you mine-entirely-before you finish the Game.† Jenny wished she could think of something more mature to say than, â€Å"In your dreams!† â€Å"No-in yours,† he said. â€Å"And remember, you’re not alone here.† Jenny heard a scream. â€Å"That’s Audrey,† she said. â€Å"That’s Audrey! Something’s happening to her!† When he wouldn’t release her hand, she jerked it out of his. Then she saw his eyes-and what she saw there froze her. â€Å"You know,† she whispered. â€Å"You’re doing it-to get back at me.† â€Å"I warned you,† he said. The screaming was still going on. â€Å"Do you want it to stop?† Evil, she thought. Absolute evil. Cruel, capricious, and dangerous as a cobra. I won’t forget that again. â€Å"I’ll stop it myself,† she said, her voice soft but fierce. â€Å"I told you I was going to win this Game. And I am. And I will never give in to you.† She threw the silver rose at his feet. Then she was running for the sound of Audrey’s screams. Elves rushed at her as she plunged out of the sandcastle room, but she veered sharply and got by them. Audrey’s screams were getting clearer and clearer. Jenny saw a gap in the nearest red wall and ducked into it, and suddenly the screams echoed all around her. She saw Audrey sitting and Dee standing in front of her. She stumbled the last few feet to collapse beside them. â€Å"What’s wrong?† Audrey was half sitting, half lying against the gypsum-encrusted wall of a small cavern. Her features were contorted with horror-and when Jenny turned she saw why. She would have thought that after all she’d been through, she would be inured to weird creatures. But these things-these things were- â€Å"Oh, God, Audrey, what are they?† she choked out. Audrey’s fingernails bit into Jenny’s arm. â€Å"They’re draugar. Living corpses. They’ve come for us. I-† She turned away, retching. They smelted like corpses-the sickly-sweet odor of decay. Some of them had bloated bodies. Some had leathery skin, fallen in and wrinkled. Some, to Jenny’s horror, had skin that was sloughing off. One had thick fingernails turned brown by time and grown into long, dangling spirals. The nails clattered together, making a sound that raised gooseflesh all over Jenny’s body. They were completely blocking the exit. Jenny didn’t know how she’d gotten around them to reach Audrey, but there was no getting out again. They were closing in from all sides. â€Å"When I tell you, run for the door!† Dee said. â€Å"What door?† Dee pointed and Jenny turned. Beyond the nearest draugr on the right was a wall-and there was a door in it. A Gothic door with an arched top, painted blue. â€Å"Okay?† Dee shouted. â€Å"Get ready for it!† She had been standing with her left leg back, knee bent, all her weight on it. Her right leg was so bent that only the toe touched the floor. It made her look like a ballerina, but it was called the cat stance-Dee was always trying to teach Jenny kung fu stances. Suddenly she kicked, her right foot snapping up flat to strike the draugr under the jaw with her heel. With a dry crack the draugr’s head fell backward -all the way backward. Its neck was snapped. The terrible thing was that it kept walking. Head resting on its own shoulder blades, blundering the wrong way, it kept walking. Jenny let go and screamed. â€Å"Get up!† Dee shouted to them. â€Å"Now, while I’ve got them distracted. Get out of here!† Audrey remained frozen. â€Å"We can’t leave you-â€Å" â€Å"Don’t worry about me! Just go! Jenny, take her!† Jenny obeyed the tone of command instinctively. She hauled Audrey up by her houndstooth jacket and pulled her to the door. She wrenched it open, and they both fell through. It slammed behind them before Jenny could stop it. She and Audrey looked at each other in dismay. And then they waited. They waited until a sick feeling in Jenny’s stomach told her Dee wasn’t going to come. Audrey was crying. Jenny tried the door handle. It wouldn’t budge. â€Å"It’s my fault,† Audrey whispered. One of you probably won’t make it†¦. The door flew open. Dee charged through, slammed it behind her, leaned on it. She expelled a great gust of air. â€Å"That was close,† she said. â€Å"But I’ve been dying for a fight, and it was a good one.† She was glowing with exertion and the joy of battle. She looked at Audrey. â€Å"Well, aren’t you a mess,† she said. Audrey’s glossy auburn hair was hanging around her face; her spiky bangs were plastered damply to her forehead. Her cheeks were flushed and wet, her hands and legs scratched and scraped. Her cherry lipstick was gone. Face inscrutable, Audrey held out one hand and slowly unclenched the fingers. On her palm were the combs from her French twist. â€Å"At least I still have these,† she said calmly. All three of them burst into hysterical laughter. They laughed and laughed in a violent release of emotion. â€Å"I guess that counts as winning: getting out of your nightmare alive with your combs intact,† Dee gasped finally. Audrey raised her eyebrows, and then her lips curled again in a smile. She and Dee were smiling at each other. An unseen clock struck twelve. â€Å"Midnight,† Jenny said. It came out softly, almost a whisper. Every time they won, that clock chimed to remind them that time was passing-passing fast. Where was it, anyway? The sound seemed to pervade the entire house. â€Å"Six hours until dawn,† Dee was saying to Audrey. â€Å"And only five nightmares to go. We’re fine. We’ll make it, easy.† â€Å"Easy? I don’t think so,† Audrey said. â€Å"Look,† Jenny said quietly, bending to pick up a scrap of paper. How to cite The Forbidden Game: The Hunter Chapter 8, Essay examples

After the End of Art Essay Example For Students

After the End of Art Essay Art and Craft of Writing the master narrative of the history of art in the West but by the end not in the West alone is that there is an era of imitation, followed by an era of ideology, followed by our post-historical era in which, with qualification, anything goes. Arthur Danto, After the End of Art Theres no general agreement on what art is and what is not. As Danto argues in his book After the End of Art nowadays you can no longer tell whether something is art by simply looking at it. Rather anything can be art, and anyone can be an artist. We will write a custom essay on After the End of Art specifically for you for only $16.38 $13.9/page Order now Even the most influential and recognized minds of the last century cannot agree on what is and what is not a piece of art. Hegel, for example, describes art as based on three main characteristics. He states that: There are 3 factors determining a work of art: 1. A work of art is not produced by Nature; it is brought into being by the agency of man. 2. It is created essentially for man, and it is addressed to his senses 3. It contains an end bound up with it. Jacques Maritain, in contrast, gives three completely different conventions that make one work a work of art. According to him, There are three rules on art. First the very idea of rules in the arts changes and becomes transfigured through the impact of beauty on the activity of art. So the rules must be continually reborn, and the artist is forever exploring the unknown. Second the work to be made is unique, and an end in itself. Each time, and for every single work, there is for the artist a new and unique way to strive after the making of his art. Third because the work is an end in itself, and a unique participation in beauty, reason alone is not enough for the artist. Because in art as in contemplation, intellectuality at its peak goes beyond concepts and reason, and is achieved through union with the subject, which love alone can bring about. Once again, Leo Tolstoy disagrees with the other definitions of art and gives his own. He claims that: Real art must be infectious-the receiver of a true artistic impression is so united to the artist that he feels as though the work were his own-as if what it expresses was what he had been longing to express. A real work of art destroys the separation between himself and the artist, and even between himself and all those others who also appreciate this art. In this freeing of our personality from its isolation, and uniting it with others, lies the great attractive force of art. Not only is infection a sure sign of art, but the degree of infectiousness is the sole measure of excellence in art. This depends on 3 things; 1. The individuality of the feeling transmitted. 2. Its clarity. 3. The sincerity of the artist i. e. the degree of force with which the artist feels the emotion he transmits. Art is not just what you can see in museums, art galleries, or what someone qualified as a masterpiece. There are countless forms and types of art. There are numerous genres. And every person has his own taste for art. There is no such thing as school subject called Art Appreciation that you can be thought. Art is what you, as an individual, can recognize as such. Creating art and experiencing art are both very personal. Every artist, when involved in a process of creating a new work, is trying to embody some specific meaning in his creation. In the same way, everyone whos in touch with a work of art should be able to extract some meaning from this contact. .u444813450d87182e1c02c3768d2810a2 , .u444813450d87182e1c02c3768d2810a2 .postImageUrl , .u444813450d87182e1c02c3768d2810a2 .centered-text-area { min-height: 80px; position: relative; } .u444813450d87182e1c02c3768d2810a2 , .u444813450d87182e1c02c3768d2810a2:hover , .u444813450d87182e1c02c3768d2810a2:visited , .u444813450d87182e1c02c3768d2810a2:active { border:0!important; } .u444813450d87182e1c02c3768d2810a2 .clearfix:after { content: ""; display: table; clear: both; } .u444813450d87182e1c02c3768d2810a2 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u444813450d87182e1c02c3768d2810a2:active , .u444813450d87182e1c02c3768d2810a2:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u444813450d87182e1c02c3768d2810a2 .centered-text-area { width: 100%; position: relative ; } .u444813450d87182e1c02c3768d2810a2 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u444813450d87182e1c02c3768d2810a2 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u444813450d87182e1c02c3768d2810a2 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u444813450d87182e1c02c3768d2810a2:hover .ctaButton { background-color: #34495E!important; } .u444813450d87182e1c02c3768d2810a2 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u444813450d87182e1c02c3768d2810a2 .u444813450d87182e1c02c3768d2810a2-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u444813450d87182e1c02c3768d2810a2:after { content: ""; display: block; clear: both; } READ: Catcher In The Rye Theme EssayThe purpose of the artist is to create a feeling or a mood, usually an emotion that the artist feels and hopefully the viewer will feel. But it is not necessary to be the same meaning that the author was trying to introduce. It is not possible to be the same meaning. For we are human beings. And everything we interact with, we see in the light of our own consciousness, of our own individual understanding. This makes it impossible for two people to view a work of art in exactly the same way, even when they are an author and an admirer. This is what makes art so personal and leads us to the ridiculous situation that what some call art for others just seem to be nothing more than a five-year-old kids daubing. So why is art so often disturbing? It is because the most disturbing art is usually the most ideologically meaningful. This kind of art is slapping us in the face with its outrageousness, with its provocation, and is bringing light to the darkest spots of our mind, revealing the skeletons in the closet. And we are afraid of what it shows us, we are afraid of what it means to us. Examples of this kind of art are Robert Mapplethorpes self-portrait with a bullwhip in his anus, John OReillys sex-with-Jesus photocollages, Sally Manns sensual portraits of her children, Amy Adlers nothing-to-hide centerfold self-portraits, and Kara Walkers sexually driven master-slave silhouettes. This art is disturbing and sometimes painful, full of what the artists had bottled up inside. If the art is disturbing and if it troubles you, then it has struck a nerve, because the world is a disturbing, troublesome place. Obscenity, pornography and violence do exist in our world and it is important that artists are able to recognize this fact and blow the horn in front of our faces. This kind of art immerses us deeply inside our problems, inside the problems of the world and makes us think about feelings, questions we are not used to. And we find it so disturbing because it is a lot easier just to avoid or condemn that which doesnt sooth us. In order to consider something a work of art, it has to be able to touch us emotionally or mentally. Art is representation of each ones unique identity. When something is created, it is not art. It only becomes art when it is appreciated by someone other than the artist. It is the expression of thoughts and feelings. Art involves inspiring emotions or provoking thought. One definition of art says: Art is a symbolic representation of someones ideas, emotions, or thoughts in general, intended to convey this, or evoke a similar state in another. Because we are all different we see different things and feel different things. But the key word is feel, the emotion, the ability to represent, that is the art.

Human Communication free essay sample

Intrapersonal communication Intrapersonal communication is language use or thought internal to the communicator. Intrapersonal communication is the active internal involvement of the individual in symbolic processing of messages. The individual becomes his or her own sender and receiver, providing feedback to him or herself in an ongoing internal process. It can be useful to envision intrapersonal communication occurring in the mind of the individual in a model which contains a sender, receiver, and feedback loop. Although successful communication is generally defined as being between two or more individuals, issues concerning the useful nature of communicating with oneself and problems concerning communication with non-sentient entities such as computers have made some argue that this definition is too narrow. In Communication: The Social Matrix of Psychiatry, Jurgen Ruesch and Gregory Bateson argue that intrapersonal communication is indeed a special case of interpersonal communication, as dialogue is the foundation for all discourse. Intrapersonal communication can encompass: Day-dreaming Nocturnal dreaming, including and especially lucid dreaming Speaking aloud (talking to oneself), reading aloud, repeating what one hears; the additional activities of speaking and hearing (in the third case of hearing again) what one thinks, reads or hears may increase concentration and retention. We will write a custom essay sample on Human Communication or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page This is considered normal, and the extent to which it occurs varies from person to person. The time when there should be concern is when talking to oneself occurs outside of socially acceptable situations. [1] Writing (by hand, or with a wordprocessor, etc. ) ones thoughts or observations: the additional activities, on top of thinking, of writing and reading back may again increase self-understanding (How do I know what I mean until I see what I say? ) and concentration. It aids ordering ones thoughts; in addition it produces a record that can be used later again. Copying text to aid memorizing also falls in this category. Making gestures while thinking: the additional activity, on top of thinking, of body motions, may again increase concentration, assist in problem solving, and assist memory. Sense-making (see Karl Weick) e. g. interpreting maps, texts, signs, and symbols Interpreting non-verbal communication (see Albert Mehrabian) e. g. gestures, eye contact Communication between body parts; e. g. My stomach is telling me its time for lunch. [edit]Intrapersonal communication in dreams A particularly interesting example is that of a recently designed technique of interviewing ones dream characters, particularly during lucid dreaming. In the lucid state, the dreamer is aware that he or she is dreaming, and can proceed to question, in-depth, each dream character, whom are necessarily understood to be part of the self in either a psychological sense or in the more scientific sense of each aspect of ones dream arising from ones own brain processe s.

William Faulkner Essay Paper Example For Students

William Faulkner Essay Paper William Faulkner: His Life and Achievements William Faulkner is viewed by many as Americas greatest writer of prose fiction. He was born in New Albany, Mississippi where he lived a life filled with good times and bad times. However, despite bad times he would become known as a poet, a short story writer, and finally one of the greatest contemporary novelist of his time. William Faulkners accomplishments resulted not only from his love and devotion of writing, but also from family, friends, and certain uncontrollable events. William Faulkners life is an astonishing accomplishment; however, it is crucial to explore his life prior to his fixated writing career. In 1905, Faulkner entered the first grade at a tender age of eight, and immediately showed signs of talent. We will write a custom essay on William Faulkner Paper specifically for you for only $16.38 $13.9/page Order now He not only drew an explicitly detailed drawing of a locomotive, but he soon became an honour-roll student: His report card would show no grades below Perfect or Excellent (Blotner 21). Throughout his early education he would work conscientiously at reading, spelling, writing, and arithmetic; however, he especially enjoyed drawing. His deportment at school was very high, but it was not as high as it was at home. When Faulkner got promoted to third grade, skipping the second grade, he was asked by his teacher what he wanted to be when he grew up, and he replied, I want to be a writer just like my great granddaddy (Blotner 23). At last, (in 1914) Faulkner took interest in poetry, but no one in Oxford could tell him what to do with his poems. Meanwhile, Faulkner, who is very talkative, would always entertain Katrina Carter and Estelle Oldham by telling them vividly imagined stories. Eventually, Faulkner grew very fond of Estelle in fact, if he heard her voice he would deliberately attempt to be spotted by Katrina in hopes that she asks him to join her. Estelle soon became the sole inspirer and recipient of Faulkners earlier poems. Coincidentally, a gentleman named Phil Stone would fall in love with Estelles friend, Katrina. As a result, Katrina had told Stone about Faulkner and his poetry. So one afternoon, Stone walked to Faulkners home to get acquainted, and during his visit he received several written verses from Faulkner poetry collections: Anybody could have seen that he (Faulkner) had talentit was perfectly obvious (Blotner 44). Stone not only became Faulkners close friend, but also a mentor to the young writer at the beginning of his career. Stone immediately gave the potential poet encouragement, advice, and models for his study of literature. For example, Stone would give practice drills in punctuation, as well as lecture Faulkner on goals and grammars. Meanwhile, Faulkners main interest in school became athletics such as football and baseball, thus his grades started to deteriorate: Bill showed absolutely no interest in the education being offeredHe gazed out the windows, and answered the simplest questions with I dont know (Blotner 39). Eventually, he would quit both athletics and school altogether. In 1919, his first literary work was acknowledged and published in The New Republic. The poem is a forty-line verse with a French title that acknowledges the influence of the French Symbolist, LApres-Midi dun Faune. In September, Faulkner would enroll in the University of Mississippi, and during his academic years it did not deter him from writing more poems. The Mississippian, the student paper, published Landing in Luck by Faulkner- the story is a nine-page short story created from his direct experience in the Royal Air Force flight training in 1916. He has also written several other poems such as Cathay, which is published in the Oxford Eagle and Sapphic, which is published in The Mississippian. During the summer, Faulkner became a house painter in Oxford, and in the beginning of autumn he enrolled in the University of Mississippi; however, his early pattern of school started to take toll. Faulkner began to cut classes and finally just stopped going. Although, this time he participated in a drama club called The Marionettes, and began to publish book reviews in The Mississippian. .ub123d9fd73a738eb116df6a981cab97b , .ub123d9fd73a738eb116df6a981cab97b .postImageUrl , .ub123d9fd73a738eb116df6a981cab97b .centered-text-area { min-height: 80px; position: relative; } .ub123d9fd73a738eb116df6a981cab97b , .ub123d9fd73a738eb116df6a981cab97b:hover , .ub123d9fd73a738eb116df6a981cab97b:visited , .ub123d9fd73a738eb116df6a981cab97b:active { border:0!important; } .ub123d9fd73a738eb116df6a981cab97b .clearfix:after { content: ""; display: table; clear: both; } .ub123d9fd73a738eb116df6a981cab97b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ub123d9fd73a738eb116df6a981cab97b:active , .ub123d9fd73a738eb116df6a981cab97b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ub123d9fd73a738eb116df6a981cab97b .centered-text-area { width: 100%; position: relative ; } .ub123d9fd73a738eb116df6a981cab97b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ub123d9fd73a738eb116df6a981cab97b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ub123d9fd73a738eb116df6a981cab97b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ub123d9fd73a738eb116df6a981cab97b:hover .ctaButton { background-color: #34495E!important; } .ub123d9fd73a738eb116df6a981cab97b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ub123d9fd73a738eb116df6a981cab97b .ub123d9fd73a738eb116df6a981cab97b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ub123d9fd73a738eb116df6a981cab97b:after { content: ""; display: block; clear: both; } READ: Apollo 13 (as-508): Houston, We Have A Problem. Essay In the summer of 1921, Faulkner decided to take a trip to New York to receive some professional instructions from editors and critics, since Stone was busy with his academic studies. Faulkner stayed with a man named Stark Young, where they shared an incredibly small apartment. Later, Young introduced Faulkner to Elizabeth Prall of the Doubleday bookstore to see if she wanted some help prior to the Christmas rush. Reluctantly, Prall accepted and never regretted her choice since. Faulkner made a good clerk-polite, interested, and one of the best salesman in the store All the customers fell for him like a ton of bricks (Blotner 105). During his stay in New York, Maud Faulkner and Stone became very worried about Faulkner and his financial troubles. Meanwhile, Stone immediately went to work on behalf of his friend, and soon became the Assistant District Attorney. As a result, Stone used his political powers and appeals to influence U. S. Senator Harrison to promise Faulkner a decent job as a postmaster at the university substation. Faulkners job would last him between 1922 to 1924 with an annual salary of fifteen hundred dollars. Even as postmaster, Faulkner still found time to write and publish a short prose poem The Hill, in The Mississippian. This poem was a great importance to Faulkner as it served to be the beginning of the rural setting of his future Yoknapatwpha novels, and his first objective to real life characters. As a result of friends and unexpected events, William Faulkner would soon write novels. Consequently, he realized his career faced the best of times and the worst of times. However, it became clear that his writing would eventually become his life long happiness. During the late months of June through November in 1923, there was a correspondence between Faulkner and the Four Seas Company, a publisher in Boston, concerning Faulkners manuscript entitled Orpheus and other poems. Unfortunately, the publication of the poems was futile without a financial contribution, which he was unable to provide. However, Stone helped Faulkner by writing to the Four Seas Company in hopes of offering Faulkners manuscript The Marble Faun. Reluctantly, it was accepted and by the end of the year the company published 1,000 copies of his novel, which was dedicated to Faulkners mother, and prefaced by Stone. In May, Faulkner finished the typescript for Soldiers Pay, which he sent to the publisher Horace Liveright, who gave Faulkner two hundred dollars in advanced pay. He used the money to pay for his trip to Europe. While in Paris, Faulkner began to work on the novel Elmer; unfortunately, it was never completed, but exists today in several versions. After arriving in England, Faulkner decided to go back home. Upon his arrival in New York, he immediately began his next novel Mosquitoes, which was published a year later by Boni Liveright. In September of 1927, Faulkner finished yet another novel entitled Flags in the Dust; however, it was rejected in the following month, and was returned in December. Afterward, Faulkner received the go ahead by his publishing company to send his typescript to another company, which is now Harcourt, Brace. Unfortunately, even though the novel was published, it was reduced to 110,000 words and the title Flags in the Dust was finally replaced by Sartoris instead. Within the same month, Faulkner began The Sound and the Fury, which was finished by October. The published novel soon became a critical success with only 1,789 copies. In 1928, Faulkner broke ties with Harcourt, Brace, and signed a new contract with a new publishing house of Jonathan Cape Harrison Smith, which entitled them to Faulkners new novel entitled, Sanctuary. Faulkner took the typescript and decided to correct the proofs on his honeymoon with his wife, Estelle. .u9af0b6d62929b26636c829a9f228bbc8 , .u9af0b6d62929b26636c829a9f228bbc8 .postImageUrl , .u9af0b6d62929b26636c829a9f228bbc8 .centered-text-area { min-height: 80px; position: relative; } .u9af0b6d62929b26636c829a9f228bbc8 , .u9af0b6d62929b26636c829a9f228bbc8:hover , .u9af0b6d62929b26636c829a9f228bbc8:visited , .u9af0b6d62929b26636c829a9f228bbc8:active { border:0!important; } .u9af0b6d62929b26636c829a9f228bbc8 .clearfix:after { content: ""; display: table; clear: both; } .u9af0b6d62929b26636c829a9f228bbc8 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u9af0b6d62929b26636c829a9f228bbc8:active , .u9af0b6d62929b26636c829a9f228bbc8:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u9af0b6d62929b26636c829a9f228bbc8 .centered-text-area { width: 100%; position: relative ; } .u9af0b6d62929b26636c829a9f228bbc8 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u9af0b6d62929b26636c829a9f228bbc8 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u9af0b6d62929b26636c829a9f228bbc8 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u9af0b6d62929b26636c829a9f228bbc8:hover .ctaButton { background-color: #34495E!important; } .u9af0b6d62929b26636c829a9f228bbc8 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u9af0b6d62929b26636c829a9f228bbc8 .u9af0b6d62929b26636c829a9f228bbc8-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u9af0b6d62929b26636c829a9f228bbc8:after { content: ""; display: block; clear: both; } READ: Cheating Essay Finally, Faulkners novel, Sanctuary, was soon published, and in astonishment 6,457 copies were sold. As a result, Faulkner soon realized that he is now the most important figure in American letters. William Faulkner deserved every single award given to him, because of his intense love and dedication to literature. Nevertheless, it is just as important to know what he has won, as well as how he won them. Therefore, in examining and analyzing Faulkners work it will help us understand and appreciate his gift of writing. Throughout Faulkners life he has won many awards on behalf of his talent for literature, and the following are just a few of his awards: (1950) Nobel Prize for Literature, (1950) American Academys Howells Medal for Fiction, (1951) National Book Award for Fiction, (1951) Legion of Honour in New Orleans, (1955) Pulitzer Prize, (1957) Silver Medal of Greek Academy, (1962) Gold Medal for Fiction from the National Institution of Arts Letters. Even though Faulkner won all these awards, there was at least one award that had many conflicting views by many American critics. That award pertains to the Pulitzer Prize awarded to Faulkner novel, The Fable. The story takes place within a fortress city of Chaulnesmont, two days after the mutiny of a French regiment. The chief plot is set when a regiment of soldiers refused an order to fight knowing that the attack would not be successful. The theme of sacrifice is the central meaning of the novel. Is it on the grounds of military necessity or expediency, or on the grounds of personal sacrifice for some universal ideal; as a result, the main question asked is what is actually achieved by sacrifice. Several critics have pointed out the dualism that runs throughout A Fable, in which there are presence of good and evil, guilt and innocence, and bravery and fear. Despite America judging Faulkners novel as a failing accomplishment of its literary goals, A Fable was for the European readers: The most important novela literary masterpiece (Blotner 595). As we have seen, William Faulkners interest in writing was so intense that the meaning of giving up never crossed his mind. As a result, whenever he experienced hard times there would always be family and friends to aid him in his career. In any event, Faulkner proved that with great dedication and devotion anybody could achieve their goals.

Pcs Are Better Than Macs For Home Users Essays - Steve Jobs

Pcs Are Better Than Macs For Home Users For years, Macs and PCs have been competing for home users. Apple has recently released the new iMac, and the notebook version of the iMac ? the iBook. Even though several years ago, Macs were better than PCs, now, PCs are better than Macs for home users in terms of performance and expansion options. To some consumers, performance is often the most important factor in buying a computer. Performance doesn't necessarily mean how well the computer performs potentially, but only on specific tasks. Both iBook and iMac are designed for home users, most of whom neither care about number of floating-point operations per second, nor know what it means. Very few home users will pay $500 for Photoshop 5.0 to edit photos on their PC. The more likely uses for home computers are: word processing, browsing the Internet, and 3-D gaming. Since the most popular word processor is developed by Microsoft and allegedly optimized for Windows, it would be unfair to compare the Mac version of MS Word with the Windows version. However, comparing the performance in 3-D games and the Internet is fair. Even though PC Magazine specializes in PCs, it reviewed the iBook as soon as it came out. The article focused on performance of the iBook and compared it to a similar IBM-compatible notebook. Since there are no new IBM-compatible notebooks that match iBook's specifications, PC Magazine decided to use the notebook they believed to be closest to iBook ? the IBM ThinkPad iSeries 1480. They have very few similarities: the both notebooks are available in different colors, and neither notebook has the fastest processor from its platform. Apple claims that its notebooks are ?up to twice as fast as comparable Microsoft Windows-based portables? (qtd. in Hill 53). This statement is very vague ? it doesn't say how they compared the portables, and what Apple meant by ?comparable?. Since similar statements have been made about iMac, speed will be discussed in the next section; for now, let's make sure that PC Magazine selected an appropriate notebook. The G3 processor from the iBook is one generation behind Mac desktops, whereas the ThinkPad's Celeron is two generations behind other IBM-compatible notebooks. Even though Celeron is somewhat obsolete, it runs at 466 MHz versus G3's 300 MHz. Since neither processor is top-of-the-line, and both notebooks are in the same price range, it is safe to conclude that the two notebooks are comparable. Apple declares that ?fast, easy access to the Internet? is among the ?features [that] made the world fall in love with the iMac? (Apple). As mentioned earlier, the Internet performance is one of the uses for home computers and should be thoroughly tested. In their review, PC Magazine uses i_Bench to test the Internet performance. According to i_Bench tests, ThinkPad outperforms the iBook on almost every test (Hill 53). The only exception is the test of QuickTime Transition Effects ? the iBook is faster than the ThinkPad (Hill 53). Apple's QuickTime is one of many formats for viewing compressed video on the Internet and is rarely used because of poor compression quality. QuickTime should not be used to test the computer's performance for several reasons: it is rarely used, and is most likely optimized for Macs. On the other hand, The Java Virtual Machine test should be looked at more carefully. Java is a platform-independent programming language originally designed by Sun Corporation for another operating system, and is currently used for writing programs for the Internet. This test runs several Java programs within a browser, which simulates ordinary Internet browsing better than QuickTime. The ThinkPad impressively outperformed the iBook with the a score of 43,766 versus just 23,872 (Hill 53). Comparing the iMacs with IBM-compatible desktops creates the same problem ? finding the PC that is comparable to the iMac. Dave Glue, a programming student, sums up this problem in one sentence: ?If you're going to downgrade the PC to exactly match the iMac's MHz rating and hard disk, you'll have a significantly cheaper PC than the iMac.? Even when comparing computers of equal price, another problem appears ? they run two completely different operating systems. Apple uses BYTEmark (Apple), which tests the processor's integer

buy custom The Great Society essay

buy custom The Great Society essay Kennedys presidential campaign plan and a set of domestic programs offered by Johnson were undoubtedly the most comprehensive social initiatives since the enactment of the New Deal federal programs. Both Presidents sought to resolve significant challenges, which America faced at that time, including space race, discrimination, unemployment, and poverty. Despite the fact that the Presidents approaches to the issues and the amount of success and approval of reforms greatly varied when dealing with issues, their programs have played a crucial role in shaping Americas public policy. Today, the USA experiences consequences from the domestic promising programs offered by the authoritative leaders in the 60s. The democrats tenure in the White House lasted for eight years since 1961 till 1969. The Democratic domestic policy was based on important liberal reforms. Kennedy tried to deal with the opposition in Congress concerning his New Frontier plans until assassination, when Johnson took off ice and pushed the proposed reforms of his predecessor under the auspices of what he called the Great Society. John Kennedy used the term The New Frontier in his speech at the National Convention, where he was chosen as the Presidential nominee from the Democratic Party (Conley 147). The term referred to the policy conducted by the Kennedys administration overseas and at home. The most memorable achievement of the internal presidential initiatives was a human visit to the moon in the 60s. Although Kennedy did not live up to this event, the space program has long been considered as a national priority, implemented by his successors. The most significant economic accomplishment of the New Frontier initiatives was the enactment of amendments to the federal statute, Fair Labor Standards Act. In 1961, the passage of these amendments helped to raise the minimum wage from $1 per hour to $1.25 (Vogel 16) and provided more power to government in regulating salaries and labor standards for large business. Other economic achievements meant the reduction of trade tariffs with foreign nation-states and the ratification of legislation aimed at reducing unemployment and creating affordable housing. Other reform efforts were not as successful. Despite the fact that Kennedy proposed legislation that would have promoted the affordability of medical careand other laws that would have provided equal rights to minority groups, the U.S. legislation never ratified these initiatives during Kennedys tenure. Domestic programs proposed by the President Johnson in 1964 were more successful since the Congress passed legislation that could deal with these significant issues. According to DiBacco, Johnsons programs did not end poverty (510). However, the Presidents initiatives significantly reduced them. The Kennedys New Frontier tried to accomplish many of its initiatives. However, the Johnsons Great Society realized most of them passing important legislation freely and successfully. It helped to create social programs and numerous agencies to guide them. Under the Great Society, various environmental regulations were passed. Moreover, the passage of the Voting Rights Act as well as the Civil Rights Act guaranteed that minority groups received the same rights as other representatives of the U.S. society. Though the Great Society programs failed to eliminate poverty, it created a variety of programs and services that Americans use today and take for granted. Therefore, it was the most successful accomplishment. With no doubts, if John Kennedy had lived longer, he would have realized most of his promising programs. Therefore, many ideas left to Johnson, who was more concerned with implementing his own reforms. Lyndon Johnson quickly took the presidential office. Despite the Senates conservative voting, the President re-acquainted with the liberal roots and funded the large reform agenda since the domestic programs introduced by Roosevelt in 1933. After the Kennedys assassination, Lyndon Johnson was supposed to complete the unfinished New Frontier programs. Moreover, he had less than a year before the elections of 1964 to prove to the U.S. citizens his desire and right to become a new President of the U.S. The Congress passed the important legislation. The Civil Rights Bill that Kennedy promised to sign was passed into law after his death. It prohibited discrimination based on gender, race and ended segregation in public places. According to Blaustein, Johnson as the President signed the Economic Opportunity Act in 1964 (85). The law established the eponymous office aimed at eliminating poverty in the U.S. In addition, educational institutions in impoverished regions could get help from teachers and volunteers. Federal funds were sent to struggling and needy communities to fight illiteracy and unemployment. During his campaign in 1964, Lyndon Johnson started his war on poverty. He challenged millions of citizens to build a Great Society that could eliminate woes of poor people. Under the Johnson presidency, the U.S. liberalism was at high tide. In order to pass his agenda, the President as the experienced legislator used his strong personality and connections in Congress. According to Dallek, Johnson was pleased with accomplishments he had made by 1966 (327). However, in the course of time, events occurring in Southeast Asia overshadowed the Presidents achievements. Funds that he was supposed to spend on fighting with poverty were spent on the war in Vietnam. Conservatives slandered Johnson for his domestic policy. Liberals also blamed the President for the hawkish stance on the war in Vietnam. Johnsons hopes to leave a legacy of internal reforms had been in serious jeopardy by 1968. Structural issues in a free market system, mentality among poor Americans, and misconceptions of the middle-class citizens about the issues led to increase of poverty after the Second World War. Moreover, the Johnsons Great Society could not eliminate social problems. The free market system generated poverty as other individuals progressed towards wealth. Johnsons programs failed since they could not manage deficiencies in the system of free market. Postwar poverty led to the demoralized mentality of poor Americans. Ongoing plight was evident. Buy custom The Great Society essay

Avogadros Law Definition in Chemistry Terms

Avogadros Law Definition in Chemistry Terms Avogadros Law is the relation which states that at the same temperature and pressure, equal volumes of all gases contain the same number of molecules. The law was described by Italian chemist and physicist Amedeo Avogadro in 1811. Avogadros Law Equation There are a few ways to write this gas law, which is a mathematical relation. It may be stated: k V/n where k is a proportionality constant V is the volume of a gas, and n is the number of moles of a gas Avogadros law also means the ideal gas constant is the same value for all gases, so: constant p1V1/T1n1 P2V2/T2n2 V1/n1 V2/n2V1n2 V2n1 where p is pressure of a gas, V is volume, T is temperature, and n is number of moles Implications of Avogadros Law There are a few important consequences of the law being true. The molar volume of all ideal gases at 0 °C and 1 atm pressure is 22.4 liters.  If pressure and temperature of a gas are constant, when the amount of gas increases, the volume increases.If pressure and temperature of a gas are constant, when the amount of gas decreases, the volume decreases.You prove Avogadros Law every time you blow up a balloon. Avogadros Law Example Say you have 5.00 L of a gas which contains 0.965 mol of molecules. What will be the new volume of the gas if the quantity is increased to 1.80 mol, assuming pressure and temperature are held constant? Select the appropriate form of the law for the calculation. In this case, a good choice is: V1n2   V2n1 (5.00 L)(1.80 mol) (x)(0.965 mol) Rewriting to solve for x give you: x (5.00 L)(1.80 mol) / (0.965 mol) x 9.33 L